Little Bee

November 10, 2008
A violent incident on a Nigerian beach has tragic echoes in posh London in Cleave’s beautifully staged if haphazardly plotted debut novel. British couple Andrew O’Rourke and his wife, Sarah, are on vacation when they come across two sisters, Little Bee and Nkiruka, on the run from the killers who have massacred everyone else in their village—in the pay, it turns out, of an oil company seeking the land. Soon the killers arrive and propose a not-quite-credible deal: they will trade the girls if Andrew and Sarah each cut off a finger. Andrew can’t do it, but Sarah does, and the killers drag the girls away. So two years later, when Little Bee shows up at Sarah’s house on the day of the funeral for Andrew, who has killed himself, it seems almost miraculous. Later, however, it’s revealed that Little Bee has been hiding around the O’Rourke place, and that Andrew seeing her set off his suicide. Sarah nevertheless determines to help Little Bee get refugee status. Cleave has a sharp cinematic eye, but the plot is undermined by weak motivations and coincidences.

November 15, 2008
Cleave follows up his outstanding debut (Incendiary, 2005) with a psychologically charged story of grief, globalization and an unlikely friendship.

The story opens in a refugee detention center outside of London. As the Nigerian narrator —who got her nickname "Little Bee " as a child —prepares to leave the center, she thinks of her homeland and recalls a horrific memory. "In the immigration detention center, they told us we must be disciplined, " she says. "This is the discipline I learned: whenever I go into a new place, I work out how I would kill myself there. In case the men come suddenly, I make sure I am ready. " After Little Bee 's release, the first-person narration switches to Sarah, a magazine editor in London struggling to come to terms with her husband Andrew 's recent suicide, as well as the stubborn behavior of her four-year-old son, Charlie, who refuses to take off his Batman costume. While negotiating her family troubles, Sarah reflects on "the long summer when Little Bee came to live with us. " Cleave alternates the viewpoints of the two women, patiently revealing the connection between them. A few years prior, Sarah and Andrew took a vacation to the Nigerian coast, not realizing the full extent to which the oil craze had torn the country apart. One night they stumble upon Little Bee and her sister, who are fleeing a group of rapacious soldiers prowling the beach. The frightening confrontation proves life-changing for everyone involved, though in ways they couldn 't have imagined. A few years later Sarah and Little Bee come together again in the suburbs of London, and their friendship —in addition to that between Little Bee and Charlie —provides some salvation for each woman. Though less piercing and urgent than his debut, Cleave 's narrative pulses with portentous, nearly spectral energy, and the author maintains a well-modulated balance between the two narrators.

A solid sophomore effort, and hopefully a sign of even better things to come.

(COPYRIGHT (2008) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

Starred review from January 15, 2009
Book clubs in search of the next "Kite Runner" need look no further than this astonishing, flawless novel about what happens when ordinary, mundane Western lives are thrown into stark contrast against the terrifying realities of war-torn Africa. Their marriage in crisis, Andrew and Sarah O'Rourke impulsively accept a junket to a Nigerian beach resort as a last-ditch attempt to reconcile. When machete-wielding soldiers appear out of the jungle and force them to determine the fate of two African girls, everyone's lives are irrevocably shattered. Two years later in a London suburb, one of the girls, now a refugee, reconnects with Sarah. Together they face wrenching tests of a friendship forged under extreme duress. Best-selling author Cleave ("Incendiary") effortlessly moves between alternating viewpoints with lucid, poignant prose and the occasional lighter note. A tension-filled dramatic ending and plenty of moral dilemmas add up to a satisfying, emotional read. Highly recommended for all libraries and book clubs. [See Prepub Alert, "LJ" 10/15/08.]Christine Perkins, Bellingham P.L., WA

Copyright 2009 Library Journal, LLC Used with permission.

Starred review from December 15, 2008
Little Bee, smart and stoic, knows two people in England, Andrew and Sarah, journalists she chanced upon on a Nigerian beach after fleeing a massacre in her village, one grisly outbreakin an off-the-radar oil war. After sneaking into England and escaping a rural immigration removal center, she arrives at Andrew and Sarahs London suburb home only to find that the violence that haunts her has also poisoned them. In an unnerving blend of dread, wit, and beauty, Cleave slowly and arrestingly excavates the full extent of the horror that binds Little Bee and Sarah together. Acolumnist forthe Guardian, Cleave earned fame and notoriety when his first book, Incendiary, a tale about a terrorist attack on London, was published on the very day London was bombed in July 2005. His secondensnaring, eviscerating novel charms the reader with ravishing descriptions, sly humor, and the poignant improvisations of Sarahs Batman-costumed young son, then launches devastating attacks in the form of Little Bees elegantly phrased insights into the massive failure of compassion in the world of refugees. Cleave is a nerves-of-steel storyteller of stealthy power, and this is a novel as resplendent and menacing as life itself.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)

November 15, 2008
Cleave follows up his outstanding debut (Incendiary, 2005) with a psychologically charged story of grief, globalization and an unlikely friendship.

The story opens in a refugee detention center outside of London. As the Nigerian narrator —who got her nickname "Little Bee " as a child —prepares to leave the center, she thinks of her homeland and recalls a horrific memory. "In the immigration detention center, they told us we must be disciplined, " she says. "This is the discipline I learned: whenever I go into a new place, I work out how I would kill myself there. In case the men come suddenly, I make sure I am ready. " After Little Bee's release, the first-person narration switches to Sarah, a magazine editor in London struggling to come to terms with her husband Andrew's recent suicide, as well as the stubborn behavior of her four-year-old son, Charlie, who refuses to take off his Batman costume. While negotiating her family troubles, Sarah reflects on "the long summer when Little Bee came to live with us. " Cleave alternates the viewpoints of the two women, patiently revealing the connection between them. A few years prior, Sarah and Andrew took a vacation to the Nigerian coast, not realizing the full extent to which the oil craze had torn the country apart. One night they stumble upon Little Bee and her sister, who are fleeing a group of rapacious soldiers prowling the beach. The frightening confrontation proves life-changing for everyone involved, though in ways they couldn't have imagined. A few years later Sarah and Little Bee come together again in the suburbs of London, and their friendship —in addition to that between Little Bee and Charlie —provides some salvation for each woman. Though less piercing and urgent than his debut, Cleave's narrative pulses with portentous, nearly spectral energy, and the author maintains a well-modulated balance between the two narrators.

A solid sophomore effort, and hopefully a sign of even better things to come.

(COPYRIGHT (2008) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)